Will Aghoghogbe, Leo Benavides, Tara Kelly, Lily Krempel, Juan Martin, Enzo Medeiros, Esmee Portelli, Onosiokhue Yakubu, Bilqees, Ella Bracey, Izzy Dennis, Amelia Galliford, Libby Habib, Winnie Hall, Callum Hansen, Natasha Thomas, Isaac Young, Robin Miro, Ellen Poppy Hill, Millie Rose Dobree, Oisin Stanley-Stephenson, Scarlet Topley, Baron von Voltaire, Celia Bax, Percy Clarke, Ewelinka Dochan, Ruby Kuye-Kilne, Alexandra Larrabure, Nancy Pilkington, Jameela Stenheden Gordon-King, Purdey Williams, Antonia Adomako, Gabriel Kidd, Rhian Lloyd, Archie Taylor, Edie Ashley, Flow Bracey, Anna Clegg, Maria Dragoi, Lulua Alyahya, Rachel Marston, Marley Artan, Rowan Bazley, Callum Clancy, Athen Kardashian and Nina Mhach Durban, Polly Plowden, Alfred Rollitt, Ines Sacof, Barney Ogden, Tatyana Jinto Rutherston, Lauren Watson, Liberty Mann, Isabella Shaw
finetoothcomb presents a series of artefacts from a post-apocalyptic realm – excavated talismans, utensils, tokens and figures with lost temporality. Cleaned of their grime and arranged onto a shelf which outlines the room, the objects sit in a line like objects in a museum. On this shelf they are subject to absurd classification, deposing the museum of the sole arbiter of truth and tilting the power back towards the objects themselves. In finetoothcomb the observers become the observed, surrounded by a row of silent un-eyed starers. A stage-set sits in the centre of the room, holding monolithic objects packed on like a raft of dirt, an island of information from somewhere which was. An accidental portal has dumped this giant mole hill, making a microcosm of a place, like a snowglobe, to be stared at and not entered.